Eminem is an extremely over-hyped media creation. If all of the undue praise he receives from corrupt mainstream critics was removed, it would be obvious that he is a mediocre rapper, producer, and actor. If you look closely into his eyes, you can see that even Marshall Mathers himself cannot believe how far he has come with such meagre skills.
In the mid-nineties, Eminem was a white wannabe rapper who saw fit to steel AZ’s flow (but none of his talent) on his dull-as-hell first album “Infinite”. At the time of its release and before Hip-Hop had sold out for money and fame, the album and the rapper himself, was quite rightly ridiculed for being a cheap imitation. A few corrupt years later, and with the help of Jimmy Iovine and Dr. Dre, this great white hype was sold to the sheep-like public as “one of the best rappers in history”. To anybody who resisted the brainwashing, it was obvious that Eminem had not changed much since his lame debut album. Maybe he had stopped biting AZ, but his skills and delivery were no better, and when compared to most rappers out there at the time; he was a sugary, kiddy-friendly, mass-marketed candy of a rapper. It was not just his moniker, but his very design that was akin to a packet of M&M’s. Behind the disguise of a cheap hockey mask and denim dungarees, he was in fact; a whining, high-pitched, nasally clown; a culture stealing, Elvis-style genre appropriator, a literal caricature of a rapper.
Listen to any one of Slim Shady’s shitty tracks and you will hear a faux Masta Ace, Chino XL sounding hybrid wannabe. This noughties bleach blonde herb had every uninformed fan hearing something new and exciting; when the rest of us could hear a million other rappers’ coming out of his mouth like some sort of rapping photocopier. Dr. Dre had unleashed a counterfeit rapper who clowned his way up the Billboard charts and helped turn Hip-Hop mainstream. This was the beginning of middle-class gringos listening to Hip-Hop and the period of time that helped morph the whole rap game into some lame-ass bubblegum trash-genre; Word to your Mother.
Now before somebody feels the need to comment, and says some dumb shit about racism; let me make this clear that this isn’t about white versus black. It’s about no-talent versus talent. Even when compared to his white contemporaries and peers, he still doesn’t come close to being a skilled rapper. Eminem does not have a fraction of the controversy or political opinion as Roy Shivers or Scorzayzee for example. He does not even have an ounce of the lyrical skill of RA The Rugged Man, and he is not even one minutia as hardcore as Vinnie Paz, Everlast, Genovese, Necro, Ill Bill, or Goretex. With so many underrated underground white rappers out there, it makes you wonder why Pop music fans would select such a prick as their idol.
On top of all this bullshit, and why I speak about Eminem with so much disdain, is the fact that in a politically correct world; where every comment and piece of art is scrutinised by a wannabe-inoffensive media, for some unknown reason, this twat has been allowed countless times to be openly prejudice. I can’t be arsed going through the almost “Infinite” list of sexism, misogyny, homophobic, and racist things this twat has done, but the most offensive and most hushed event of his crappy career was his track “Foolish Pride”. In this song, abhorrent and detestable lines like this were spoken:
…black girls only want your money cause they’re dumb chicks…
…never date a black girl because blacks only want your money…
…because black girls are dumb and white girls are good chicks…
These lyrics are hardly subtle, or indeed forgivable. It just goes to show how full of hatred and prejudice this craKKKer is filled with.
So every time I see a black artist, let alone a black female artist like Rihanna doing a track with this cunt, it not only surprises me, but fills me with outrage. Rihanna is the latest bread of subservient white-ass-kissing fake puppets that have no morals and no soul. Along with every other blind ignorant minority rapper from 50 Cent, Lil Wayne, D12, Nas, Jay-Z, and countless others who love to ignore blatant racism, and who send the message that it is okay to be racist, sexist, and homophobic as long as you do a track with some kiss-ass sell-out to appease the masses and mask your real feelings. So fuck 50 Cent and the rest of these Uncle Tom sell-outs. And while I’m at it; fuck Elton John, you vile fucking pig.
On top of all this, Eminem was also responsible for literally raping Tupac’s vocals, by adding his own shitty production after the rapper’s death (and therefore without his agreement). This racist white rapper turned producer was actually allowed to profit from a black rapper’s tragic death. This is the most fucked-up piece of the racist puzzle when you take into account Tupac’s activist standpoints against racism and the fact that he was the son of a Black Panther.
The fact is, you cannot see Eminem as a credible rapper if you are a genuine Hip-Hop fan, but I guess these days in a slew of untalented performers, you cannot differentiate. It is hard to tell the difference between a cock and a pile of dicks. All of you sheep out there can keep believing Eminem is the greatest battle rapper of all time thanks to the propaganda of the undeserved Oscar-grabbing “8 Mile”, even though in reality, Uno Dos lyrically murked his racist-white ass in the Candy Coated Freestyle. I mean, for fuck’s sake, even by observing his corny wigger hand gestures to the mirror in the opening scene of the film, it is mystifying how anybody could look at the screen and say “that is one of the greatest rappers that has ever been”.
The overused analogy of Eminem being the modern day Elvis is probably more accurate than you think. We are now told by the media that the Elvis’ quote “The only thing Negroes can do for me is shine my shoes and buy my records” was fabricated. If we wait fifty years or so, the same crooked media will probably be telling everybody that the Eminem lyric was factitious too. My mistrust in the media as a whole leads me to believe both these white interlopers are indeed racist, and that the white establishment makes a damn fine job of whitewashing the truth whilst simultaneously whitewashing a black genre.
Play That Flunky Music White Boy.